adatacollector
GHOST OF BOTH WORLDS
an emotional doomscroll in lurker’s e-pathetic modes
just — somewhere to be while not being anywhere else.
if you're reading this you already get it, probably.
********************
“However, a lack of social contact while lurking sometimes causes loneliness or apathy among lurkers...”
********************
99% RULE
most of us don't post. never have.
we read, we scroll, we stay logged in.
********************
99% RULE
most of us don't post. never have.
we read, we scroll, we stay logged in.
[In Internet culture, the 1% rule is a general rule of thumb pertaining to participation in an Internet community, stating that only 1% of the users of a website actively create new content, while the other 99% of the participants only lurk.]
********************
that’s how it feels to see
and perceive all of you from another place
a place between
one side of the screen and the other
and perceive all of you from another place
a place between
one side of the screen and the other
WHO ARE YOU?
You're not me. There's just no way.
I'd never do the kind of things that you've been doing.
Why are you acting like the part of me that I hate?
I whish it would just go away.
Is there no escaping you ?
Remain silent.
Shield scrolling.
Is there anything that can
define us beyond what we are not,
what we do not do?
Shield scrolling.
Is there anything that can
define us beyond what we are not,
what we do not do?
...
are you feeling a ghost too?
are you feeling a ghost too?
********************
⠀
but to be invisible can be deadly...
From a state of invisibility, I can allow myself to emerge from any point on the World Wide Web, but will the infrastructure allow me to become visible again in the form I desire?
********************
REDDIT KARMA GATE
⛩️
A thick black line spirals inward, tracing the lurker's path from an outer entry point down to a central point, completing roughly three loops. Along the way it passes five marked points, each connected by a dotted line to a label on the right.
It starts at passive observation: new account, scroll keeping.
One loop in, it reaches comment hesitation.Judgment risk suppresses posting. Further in, reputation deficit --> low/negative karma, reads as suspect to AutoMod and users. Past that, karma gate subreddits gate posting behind minimum-karma threshold. From there the line tightens into its final loop, ending at terminal lurking, at the exact center a forced exit, subject dissolves into oblivion.
********************
DON’T FALL FOR CLICK PROPAGANDA
now rest for a while... thank me later:
********************
Lurking seems to refer not to human subjects and the constellation of their social and psychological circumstances, but to an economic variable that needs to be curbed within online communities.
free riding ⬅⬆⬇⮕ overproduction psy-cott
Split between two points of view—external and internal—the lurker seems to take shape from the fracture in the economic-political compass that contains its forms of expression
********************
REDDIT KARMA GATE
⛩️
A thick black line spirals inward, tracing the lurker's path from an outer entry point down to a central point, completing roughly three loops. Along the way it passes five marked points, each connected by a dotted line to a label on the right.
It starts at passive observation: new account, scroll keeping.
One loop in, it reaches comment hesitation.Judgment risk suppresses posting. Further in, reputation deficit --> low/negative karma, reads as suspect to AutoMod and users. Past that, karma gate subreddits gate posting behind minimum-karma threshold. From there the line tightens into its final loop, ending at terminal lurking, at the exact center a forced exit, subject dissolves into oblivion.
********************
DON’T FALL FOR CLICK PROPAGANDA
now rest for a while... thank me later:
********************
Lurking seems to refer not to human subjects and the constellation of their social and psychological circumstances, but to an economic variable that needs to be curbed within online communities.
free riding ⬅⬆⬇⮕ overproduction psy-cott
Split between two points of view—external and internal—the lurker seems to take shape from the fracture in the economic-political compass that contains its forms of expression
Lurkers are referred to various names:
browsers
read-only participants
non-public participants
legitimate peripheral participants
vicarious learners
sleepers
browsers
read-only participants
non-public participants
legitimate peripheral participants
vicarious learners
sleepers
(◞‸◟,)
How can we do not lose ourselves while remaining asleep?
********************
LURKERS PROTOCOL
a vectorial topology of the self
a vectorial topology of the self
What if it weren't a matter of mechanizing a human subject or humanizing the machine, but rather of viewing both as infrastructures for transmitting messages?
*LURKERS ARE SOCIAL ACTORS
LURKERS AS NOISE IN CIBERNETIC COMMUNICATION PROTOCOLS
LOOK AT MY WIRINGS
LOOK AT MY INSIDES
I AM THE PERFECT MACHINE
I AM THE PERFECT MACHINE
LOOK AT MY INSIDES
I AM THE PERFECT MACHINE
I AM THE PERFECT MACHINE
“The Wired can't be allowed to interfere with the real world!”
“No matter where you go.
Everyone is connected.”
Everyone is connected.”
I dreamt that the whole world vanished
In the night, my room feels vast
And the silence chokes my heart
Making it hard to breathe
誰もみんな消えてく夢を見た
真夜中の 部屋の広さと静寂が
胸につっかえて
上手に 息ができなくなる
真夜中の 部屋の広さと静寂が
胸につっかえて
上手に 息ができなくなる
👻
A lurker functions both as the center of the feedback loop and as background noise in the transmission of information between the World Wide and the World Wide Web
LURKING VARIABLE
“In causal inference, confounding is a form of systematic error (or bias) that can distort estimates of causal effects in observational studies. A confounder is traditionally understood to be a variable that independently predicts the outcome (or dependent variable), is associated with the exposure (or independent variable), and is not on the causal pathway between the exposure and the outcome. Failure to control for a confounder results in a spurious association between exposure and outcome.
Confounders are threats to internal validity.”
Confounders are threats to internal validity.”
lurkers are the invisible wire
the confounder
the silent variable
that connect what you share
an album for the silent angel ghosts of both world
⠀⠀⣀⣀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣀⢀⡀⠀
⣴⠛⠉⠉⠱⢦⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⡴⠞⠉⠉⠙⣦
⣧⠀⠀⠀⠀⠀⠙⢦⣄⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣠⡴⠋⠀⠀⠀⠀⠀⣼
⠹⣄⠀⠀⠀⠀⠀⠀⠈⠙⠲⠦⣄⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣠⡴⠖⠋⠀⠀⠀⠀⠀⠀⠀⣠⠏
⠀⠙⢶⣄⡀⠀⠀⠀⠀⠀⠀⠀⠈⠙⢦⡀⠀⠀⠀⠀⠀⢀⡴⠋⠁⠀⠀⠀⠀⠀⠀⠀⣀⣠⡾⠋⠀
⠀⠀⡼⠋⠉⠀⠀⠀⠀⠀⠀⠀⢀⡀⠀⢹⡄⠀⠀⠀⢠⡟⠀⢀⡀⠀⠀⠀⠀⠀⠀⠀⠉⠙⢧⠀⠀
⠀⠈⢧⡀⠀⠀⠀⠀⠀⢀⠀⣴⠋⡉⢳⡄⣷⠀⠀⠀⣾⢠⡞⠉⠙⣦⠀⠀⢀⠀⠀⠀⠀⢀⡼⠀⠀
⠀⠀⠈⠙⠒⢲⡟⠀⠀⠀⠀⢻⣄⠙⠛⣱⠇⠀⠀⠀⠸⣎⠛⠋⣠⡟⠀⠀⠈⠀⢻⡗⠒⠋⠁⠀⠀
⠀⠀⠀⠀⠀⠈⠷⣄⣀⣀⣀⣤⠟⠛⠛⠁⠀⠀⠀⠀⠀⠈⠛⠛⠻⣤⣀⣀⣀⣤⠾⠁⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠈⠁⠉⠈⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠁⠉⠈⠀⠀⠀⠀⠀⠀⠀⠀
But what kind of angelic transmission are we talking about?
Rather than understanding lurkers as a silent mass surrounding active online communities, they can be approached as participants and, more specifically, as a medium through which information circulates. This shift requires a reconsideration of how transmission itself takes place within contemporary digital environments.
⣴⠛⠉⠉⠱⢦⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⡴⠞⠉⠉⠙⣦
⣧⠀⠀⠀⠀⠀⠙⢦⣄⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣠⡴⠋⠀⠀⠀⠀⠀⣼
⠹⣄⠀⠀⠀⠀⠀⠀⠈⠙⠲⠦⣄⡀⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⣠⡴⠖⠋⠀⠀⠀⠀⠀⠀⠀⣠⠏
⠀⠙⢶⣄⡀⠀⠀⠀⠀⠀⠀⠀⠈⠙⢦⡀⠀⠀⠀⠀⠀⢀⡴⠋⠁⠀⠀⠀⠀⠀⠀⠀⣀⣠⡾⠋⠀
⠀⠀⡼⠋⠉⠀⠀⠀⠀⠀⠀⠀⢀⡀⠀⢹⡄⠀⠀⠀⢠⡟⠀⢀⡀⠀⠀⠀⠀⠀⠀⠀⠉⠙⢧⠀⠀
⠀⠈⢧⡀⠀⠀⠀⠀⠀⢀⠀⣴⠋⡉⢳⡄⣷⠀⠀⠀⣾⢠⡞⠉⠙⣦⠀⠀⢀⠀⠀⠀⠀⢀⡼⠀⠀
⠀⠀⠈⠙⠒⢲⡟⠀⠀⠀⠀⢻⣄⠙⠛⣱⠇⠀⠀⠀⠸⣎⠛⠋⣠⡟⠀⠀⠈⠀⢻⡗⠒⠋⠁⠀⠀
⠀⠀⠀⠀⠀⠈⠷⣄⣀⣀⣀⣤⠟⠛⠛⠁⠀⠀⠀⠀⠀⠈⠛⠛⠻⣤⣀⣀⣀⣤⠾⠁⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠈⠁⠉⠈⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠁⠉⠈⠀⠀⠀⠀⠀⠀⠀⠀
But what kind of angelic transmission are we talking about?
Rather than understanding lurkers as a silent mass surrounding active online communities, they can be approached as participants and, more specifically, as a medium through which information circulates. This shift requires a reconsideration of how transmission itself takes place within contemporary digital environments.
“What if, in a time of infinity-content,
a meta reading of the shape and feel of content
has become a survival skill?”
a meta reading of the shape and feel of content
has become a survival skill?”
Caroline Busta,2024
Caroline Busta's essay *Hallucinating Sense in the Era of Infinity-Content* provides a useful framework for addressing this question. Busta argues that the overproduction and overexposure of content have transformed the ways in which users process information.
Linear reading increasingly gives way to what she describes as an adaptation of *sensing more than reading*: a perceptual mode that privileges the detection of patterns, intensities, and relationships over the interpretation of individual texts.
The endless scrolling that characterizes the lurker's experience can therefore be understood as a survival strategy within conditions of informational excess. Rather than extracting meaning from discrete pieces of content, lurkers navigate through networks of loosely connected signals, establishing associations across fragmented and heterogeneous materials.
This mode of engagement also recalls the operational logic of contemporary machine learning systems, which rely on the identification of correlations across large datasets rather than on the stable interpretation of isolated units. From this perspective, lurking should not be reduced to an affective condition associated with invisibility. It can also be understood as an operational practice that enables the circulation of information through distributed forms of perception, association, and transmission.
Linear reading increasingly gives way to what she describes as an adaptation of *sensing more than reading*: a perceptual mode that privileges the detection of patterns, intensities, and relationships over the interpretation of individual texts.
The endless scrolling that characterizes the lurker's experience can therefore be understood as a survival strategy within conditions of informational excess. Rather than extracting meaning from discrete pieces of content, lurkers navigate through networks of loosely connected signals, establishing associations across fragmented and heterogeneous materials.
This mode of engagement also recalls the operational logic of contemporary machine learning systems, which rely on the identification of correlations across large datasets rather than on the stable interpretation of isolated units. From this perspective, lurking should not be reduced to an affective condition associated with invisibility. It can also be understood as an operational practice that enables the circulation of information through distributed forms of perception, association, and transmission.
“Looks like you and the Wired are getting along just fine now
Let me give you one little warning
when it's all said and done, the Wired
is just a medium for communication and the transfer o information
you mustn't confuse it with the real world
do you understand what I'm warning you about?”
“You're wrong.
the border between the two isn't all that clear.
I'll be able to enter it soon.
In full range. Full motion.
I'll translate myself into it.”
the border between the two isn't all that clear.
I'll be able to enter it soon.
In full range. Full motion.
I'll translate myself into it.”
Considering lurking through this perspective also challenges traditional hierarchies
of cognition. The displacement from reading toward sensing should not
be interpreted as a reduction in analytical capacity or as a movement toward
less sophisticated forms of understanding. Instead, it indicates the emergence of a different cognitive organization.
Knowledge is no longer produced exclusively through sequential interpretation, abstraction, or the progressive accumulation of information. It increasingly develops through processes of selection that are inseparable frompsychological investment. Emotional intensity, personal relevance, memory, and attention become mechanisms that guide cognitive activity and influence the formation of associations.
This suggests that affect should not be treated as an interruption of rational thought.
On the contrary, emotional and psychological engagement participate directly in the production of knowledge, shaping the ways in which relationships between dispersed elements are identified and maintained.
of cognition. The displacement from reading toward sensing should not
be interpreted as a reduction in analytical capacity or as a movement toward
less sophisticated forms of understanding. Instead, it indicates the emergence of a different cognitive organization.
Knowledge is no longer produced exclusively through sequential interpretation, abstraction, or the progressive accumulation of information. It increasingly develops through processes of selection that are inseparable frompsychological investment. Emotional intensity, personal relevance, memory, and attention become mechanisms that guide cognitive activity and influence the formation of associations.
This suggests that affect should not be treated as an interruption of rational thought.
On the contrary, emotional and psychological engagement participate directly in the production of knowledge, shaping the ways in which relationships between dispersed elements are identified and maintained.
Borrowing from the logic of machine learning, where vector matrices compress complex inputs into operable signals, the relationship between encoding flux and systemic pattern becomes the point from which to investigate embodiment as interface, fiction as infrastructure and lurkers as vectorial subjects.
What does it mean to be a vector subject?
⮕
To ask what it means to be a vector subject is to shift the focus from identity as a stable category toward identity as a directional force. In both Nick Land and Andrew Culp, the subject is not the origin of production but one of its effects, generated by trajectories that traverse bodies rather than emerging from individual consciousness.
In Land's work, this movement takes the form of a vector associated with the tendency of desire toward its own expenditure. Borrowing from cybernetics, thermodynamics, and information theory, Land describes a hydraulic model organized around four trajectories—improbability, tendentiality, energy, and information—through which subjectivity emerges as a productive configuration within broader material flows.
In Culp's philosophy, the figure of the vector reappears as the black arrow not as a metaphor, but as a diagram of the linear and directional character of production itself. Drawing on mathematics and cybernetics, the arrow identifies the operational logic through which social, technical, and economic systems organize bodies.
Despite their differences, both approaches converge in their understanding of the subject as a productive body whose operations are increasingly aligned with the infrastructures of capital rather than with human desire.
What emerges is a disturbing image of the body as an object of production, described with a deliberately impersonal and almost crystalline neutrality.
In Land's work, this movement takes the form of a vector associated with the tendency of desire toward its own expenditure. Borrowing from cybernetics, thermodynamics, and information theory, Land describes a hydraulic model organized around four trajectories—improbability, tendentiality, energy, and information—through which subjectivity emerges as a productive configuration within broader material flows.
In Culp's philosophy, the figure of the vector reappears as the black arrow not as a metaphor, but as a diagram of the linear and directional character of production itself. Drawing on mathematics and cybernetics, the arrow identifies the operational logic through which social, technical, and economic systems organize bodies.
Despite their differences, both approaches converge in their understanding of the subject as a productive body whose operations are increasingly aligned with the infrastructures of capital rather than with human desire.
What emerges is a disturbing image of the body as an object of production, described with a deliberately impersonal and almost crystalline neutrality.
If the lurker can be understood as a vector of action, operating as a silent transmitter within informational networks, the psychological and affective dimensions that accompany sensing disrupt the assumption that vectors are politically neutral.
The lurker continuously oscillates between apathy and empathy, using both as mechanisms for regulating exposure to media hyperstimulation; this oscillation reveals that the transmission of information is always shaped by affective thresholds that determine not only what circulates, but also the political tendencies embedded within its circulation.
The lurker continuously oscillates between apathy and empathy, using both as mechanisms for regulating exposure to media hyperstimulation; this oscillation reveals that the transmission of information is always shaped by affective thresholds that determine not only what circulates, but also the political tendencies embedded within its circulation.
Map of lurker as filter from users to non-hman web agents. Inspired by map of become-posting by piedinigotichini.
🚪
THE ACHE OF BEING
TOO AWAKE
INSIDE OF THE LOOP
Lurkers are on\the gates of what separates
what lies on one side of the screen from what lies on the other
the most human form of the monsters lurking in the liminal e-spaces , the most ghostly form of human users
of the web
🗝️
Becoming Internet Folklore
...
Even though it's scary,
are all the entities you encounter
really monsters?
...
⠀⢀⡔⣲⡶⣆⠀⠀⠀⠀⠀⠀⠀⠀⠀⢀⡤⠤⡀⠀⠀⠀
⢀⠇⠀⣿⢻⣾⡟⡆⠀⠀⠀⠀⠀⢠⠋⠀⡰⣿⣿⠑⣄⠀
⠈⠲⣄⡙⠞⠋⣀⡔⠃⠀⠀⠀⠈⠙⣆⠸⣧⡧⡻⡀⡠⠃
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠈⠉⠉⠉⠁⠀
“Harry?”
“Lisa?
What's the matter whit you?”
What's the matter whit you?”
Why I'm still alive even though everyone else's dead.
I'm not the only one who's still walking around.
I'm the same as them.
I just hadn't noticed it before.
Stay by me, Harry.
Please.
I'm so scared.
Save me from them.”
⠀⠀⠀⠀⠀⠀⠀⠀⢀⣀⣤⣄⣀⠀⠀⠀⠀⠀⠀⣀⣠⣤⣄⣀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⣠⣾⡿⠟⠛⠻⢿⣧⠀⠀⠀⣰⣿⠟⠉⠉⠉⠛⢷⡄⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⢠⣿⠏⠀⠀⠀⠀⠈⣿⡇⠀⣼⡟⠁⠀⠀⠀⠀⠀⠈⣧⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⢸⣿⠀⠀⠀⠀⠀⠀⢹⣷⣠⣿⠁⠀⠀⠀⠀⠀⠀⣸⡇⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠸⣿⡄⠀⠀⠀⠀⠀⠀⢻⣿⣿⠀⠀⠀⠀⠀⠀⢰⣿⠁⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠻⣿⡄⠀⠀⠀⠀⠀⠀⢻⣿⠀⠀⠀⠀⠀⠀⣾⡇⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠹⣿⣆⠀⠀⠀⠀⠀⠀⢻⠀⠀⠀⠀⠀⠀⣿⡄⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⣠⣤⣼⣿⣧⠀⠀⠀⢀⣀⣬⢧⣀⡀⠀⠀⠀⢹⣧⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⢀⣾⠏⠀⠀⠀⠙⢷⣄⣴⠋⠁⠀⠀⠀⠙⢷⡄⠀⠘⣿⡄⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⢸⡏⠀⠀⠀⠀⣠⡴⠋⠀⠀⠀⠀⠀⠀⠀⠀⠹⠀⠀⢻⣷⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⢸⣧⠀⠀⠀⣼⠁⠀⠀⠀⠀⠀⠀⠀⡤⠀⠀⠀⠀⠀⠈⣿⡇⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⢻⣧⡀⠀⠹⣦⣀⠀⠀⢀⣀⡤⠾⠤⠤⠀⠀⠀⠀⠀⣿⡇⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠹⣷⡦⣄⣀⡽⠋⠉⠉⠀⠀⠀⠀⠀⠀⠀⠀⠀⢠⣿⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠹⣷⣄⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣠⢾⣷⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠈⣿⡛⠢⠤⠄⠓⠦⠤⣀⣀⣠⡤⠴⠚⢁⣼⠇⠀⢀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⢀⣤⣀⠀⠀⠈⠻⣦⣀⠀⠀⠀⠀⠀⠀⠀⠀⣀⣴⡾⢋⣠⣾⣿⠛⣀⠀⠀⠀
⠀⠀⢀⣰⣿⢿⣿⡇⣠⣄⢀⡈⠙⠛⠷⠶⠶⠶⠶⣿⡟⠛⣿⣄⢻⣟⠛⢿⣿⣿⠃⣠⣤
⢀⣴⣿⠟⢿⣿⠛⠀⣿⣧⣾⠿⣿⣿⢿⡶⠀⠀⣿⣿⢿⣧⠙⠻⣿⣿⡄⠀⠙⢿⣿⡿⠋
⠈⠛⠿⣷⡿⠟⠀⢀⣿⡟⠁⢠⣿⣷⣶⠀⣤⣤⢸⣿⡿⢿⣶⡄⠀⢻⣿⣦⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⣿⡿⠀⠀⣼⣿⣅⣠⡄⠀⠀⠀⣿⣷⣼⣿⠇⠀⠀⠉⠁⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠉⠙⠛⠛⠃⠀⠀⠀⠉⠉⠉⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⣠⣾⡿⠟⠛⠻⢿⣧⠀⠀⠀⣰⣿⠟⠉⠉⠉⠛⢷⡄⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⢠⣿⠏⠀⠀⠀⠀⠈⣿⡇⠀⣼⡟⠁⠀⠀⠀⠀⠀⠈⣧⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⢸⣿⠀⠀⠀⠀⠀⠀⢹⣷⣠⣿⠁⠀⠀⠀⠀⠀⠀⣸⡇⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠸⣿⡄⠀⠀⠀⠀⠀⠀⢻⣿⣿⠀⠀⠀⠀⠀⠀⢰⣿⠁⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠻⣿⡄⠀⠀⠀⠀⠀⠀⢻⣿⠀⠀⠀⠀⠀⠀⣾⡇⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠹⣿⣆⠀⠀⠀⠀⠀⠀⢻⠀⠀⠀⠀⠀⠀⣿⡄⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⣠⣤⣼⣿⣧⠀⠀⠀⢀⣀⣬⢧⣀⡀⠀⠀⠀⢹⣧⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⢀⣾⠏⠀⠀⠀⠙⢷⣄⣴⠋⠁⠀⠀⠀⠙⢷⡄⠀⠘⣿⡄⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⢸⡏⠀⠀⠀⠀⣠⡴⠋⠀⠀⠀⠀⠀⠀⠀⠀⠹⠀⠀⢻⣷⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⢸⣧⠀⠀⠀⣼⠁⠀⠀⠀⠀⠀⠀⠀⡤⠀⠀⠀⠀⠀⠈⣿⡇⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⢻⣧⡀⠀⠹⣦⣀⠀⠀⢀⣀⡤⠾⠤⠤⠀⠀⠀⠀⠀⣿⡇⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠹⣷⡦⣄⣀⡽⠋⠉⠉⠀⠀⠀⠀⠀⠀⠀⠀⠀⢠⣿⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠹⣷⣄⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⣠⢾⣷⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠈⣿⡛⠢⠤⠄⠓⠦⠤⣀⣀⣠⡤⠴⠚⢁⣼⠇⠀⢀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⢀⣤⣀⠀⠀⠈⠻⣦⣀⠀⠀⠀⠀⠀⠀⠀⠀⣀⣴⡾⢋⣠⣾⣿⠛⣀⠀⠀⠀
⠀⠀⢀⣰⣿⢿⣿⡇⣠⣄⢀⡈⠙⠛⠷⠶⠶⠶⠶⣿⡟⠛⣿⣄⢻⣟⠛⢿⣿⣿⠃⣠⣤
⢀⣴⣿⠟⢿⣿⠛⠀⣿⣧⣾⠿⣿⣿⢿⡶⠀⠀⣿⣿⢿⣧⠙⠻⣿⣿⡄⠀⠙⢿⣿⡿⠋
⠈⠛⠿⣷⡿⠟⠀⢀⣿⡟⠁⢠⣿⣷⣶⠀⣤⣤⢸⣿⡿⢿⣶⡄⠀⢻⣿⣦⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⣿⡿⠀⠀⣼⣿⣅⣠⡄⠀⠀⠀⣿⣷⣼⣿⠇⠀⠀⠉⠁⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠉⠙⠛⠛⠃⠀⠀⠀⠉⠉⠉⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
See you, lurking around